A Grudging Little Miracle
In Guatemala the water stops a lot
So it was foolishness baking bread
With no water to wash off my sticky fingers
So there I was with my hands
Fresh from the masa
Looking at the water faucet
Fully open but nary a drip
I had a choice of whine or risa:
I just laughed and an instant later
The water started again but only a trickle
Barely sufficient to clean my hands
And then it stopped again
It was a grudging little miracle
But instructive: We get what we need
(With the right attitude)
Hazrat Inayat Khan’s Invocation:
“Towards the one, the perfection of love, harmony and beauty, the only being, united with all the illuminated souls who form the embodiment of the master, the spirit of guidance.”
Hazrat Inayat Khan’s Prescribed Daily Mantra:
“My thoughtful self: Reproach no one. Bear malice towards no one. Hold a grudge against no one. Be wise, tolerant, considerate, polite, and kind to all.”
(A rewrite reprise from 2013)
I will call you that, perhaps because (apart from apropos) Gentle Reader was the name of the (now defunct) magazine in England where my first published poem appeared. (See above)
Today I saw on You Tube a very short video of Kurt Vonnegutt’s advice to writers (http://www.youtube.com/watch?v=nmVcIhnvSx8). A key suggestion/point was to get to the reader as much information as soon as possible. So I start the blog rolling with this short bio that appeared in Umbrella, alongside my poem:
Eric Halliwell has spent many years as student, carpenter, flunked-out nursing student (thereby hangs a tale) and then a first grade school teacher.
Through a tragic romantic misadventure he ended up in Guatemala where he lives on Lake Atitlan, writing poetry. It keeps him off the streets, or, rather, since there are no streets where he lives, off a dirt trail above the lake.
So that’s how I got to Guatemala, on Lake Atitlan, and the peace here seems to have facilitated a late blooming life-of-the-poet trip. In fact, I was just online and found an article (http://travel.yahoo.com/ideas/10-most-sacred-spots-on-earth.html?page=9) including Lake Atitlan on a list of ten most sacred spots on the planet. (I like that they use “sacred” as if it were objective fact. Because it is)
As you now see, my view is skewed toward the “sacred.” And as you might expect, my poetry is from a metaphysical, para precisar, Sufi perspective.
Yes, I was in a Sufi order in Walnut Creek, California for seven years. This order was founded by Hazrat Inayat Khan, who died circa 1927. I will no doubt regularly regale you, my readers, with some favorite inspirations (quotes and stories) of his. Indeed I start each new post with both his invocation, and suggested daily mantra (see above)
I trust you will enjoy as much as I have, his lucid common sense and inspired ecumenical focus on what is, after all, the science of happiness.
So it’s no surprise that my poems have a Sufi (read very broad-based) theme. I’m not sure how familiar my readers may be with Sufism, which is best known by the writings of Sufi ecstatic poets such as Rumi, Hafiz, Kabir, Saadi, Farīd ud-Dīn Attar, Ibn Arabi, and Omar Khayyam (he of the Rubaiyat) .
I started out in Guatemala, hitching my wagon**to art (drawing, painting). But within a year, having read a book of poetry, Love Letters from God, by Daniel Ladinsky, I was inspired to try my hand at my own “ecstatic” poetry. It was ecstatic for sure in one sense: my intense happiness and gratitude to be given this sudden gift of a compulsion to listen to sweet stuff pouring out from my heart, and write it down and even presume to call it poetry. My touchstone for that is if it touches the heart. And we know that by the metaphor that we find in our salty tears, small miracles which are a microcosm of the ocean. We know by these small miracles when we’ve written a poem from the heart. And these small miracles keep coming regularly, like the lanchas on lake Atitlan.
Indeed the first poem I got published, (see above) dealt with such “small” miracles. (FYI that really happened)
In future/upcoming blog posts, I will muse (as it were) about metaphysical themes, about poetry writing, particularly proselytizing the art form, art in general, favorite heart stuff. The wonderful thing about Sufism is it has relevance to every interest. You know it doesn’t matter what pebbles you install in your kaleidoscope. So they be of translucent colors and you see to a light source.
As my late Grandma Dorothy used to say at bed time, “See you anonymous!”
God be with you,
PS—In the original version of this post I was speaking of weeping, and though I seem to have edited that out, still this is worth mentioning: I am reminded of something from Jean Adriel’s memoir of Meher Baba **(Avatar). When she told her friend Princess Norina Matchabelli (yes of the perfume prince) that there was a holy man in the vicinity, and upon meeting him people would invariably weep. And Ms Matchabelli memorably replied, “I too, would like to weep.”
*Full disclosure: Ralph Waldo Emerson reference (“Hitch your wagon to a star”)
** Meher Baba, the silent Mystic, was co-founder (along with Hazrat Inayat Khan) of my erst Sufi order in Walnut Creek, CA (Sufism Reoriented) for a summary of the life of Meher Baba see https://en.wikipedia.org/wiki/Meher_Baba. For Hazrat Inayat Khan see https://en.wikipedia.org/wiki/Inayat_Khan